For me art shouldn’t be a fixed idea that I have before I start making it. I want it to include all the fragility and doubt that I go through the day with. Sometimes I’ll take a walk just to forget whatever good idea I had that day because I like to go into the studio not having any ideas. I want the insecurity of not knowing, like performers feel before a performance. Everything I can remember, and everything I know, I have probably already done, or somebody else has
Robert Rauschenburg (1925-), American artist, quoted by Michael Kimmelman in an article about Rauschenburg, New York Times, “Arts & Leisure” section 2, August 27, 2000, p. 26.
Remembering and forgetting are key parts to the incubation stage of creative process. Images and/or ideas found in the foraging and gathering stage begin to simmer and cook. In this chaotic broth, knowledge remembered is then forgotten, or let go of. This alchemical creative process is transformational, allowing something new to emerge.
Once an experience is understood, remembering and forgetting is possible. This transformative process of memory allows new learning, as well as a flexible and adaptive response to life.